Chelsea 2023 - Sarah Price's Garden

It’s not often a show garden at Chelsea is universally popular. Despite being heavily featured on the tv coverage there were still gasps of delight and audible wows as visitors saw it for the first time.

And I think this is the first time I’ve showcased a single Chelsea garden, that’s how much I liked it.

Iris Benton Susan

The most striking thing about the garden when you see it for the first time is the amazing display of Benton irises. Cedric Morris was an artist and also bred irises ast his Suffolk home, Benton End. “Cedric Morris was famous for his flower paintings and iris still lifes. You can see that he really understood the plants, but he was also an incredible gardener, who influenced Beth Chatto. He introduced 90 different cultivars of bearded iris,” says Sarah.

Iris Benton Olive and Aeonium Zwartkopf

The irises, like the garden at Benton End, languished for many years. A former head gardener at Sissinghurst, Sarah Cook, began the long process of hunting them down and breeding them, a process which is now carried on by others.

Like all the gardens this one has had to prove its environmental credentials and the builders claim it has the lowest carbon footprint of any garden at the show. All the materials are found and/or recycled and much of the garden will be relocated back to Benton End at the end of the show.

Rosa x odora mutabilis

This garden is about much more than the irises however, It is also an evocation of the old garden at Benton End. Other plants such as the trees and grasses are designed to appear semi-wild. The colour palette of pink, blue and yellow is taken from two of Cedric Morris’s paintings (Cotyledon and Eggs, and The Eggs).

A couple of things really appealed to me: the overall colour palette which is muted but has depth too, and changes colour in different light; and the overall feeling of light and space. The only other garden which had this quality was the Transcendence garden by Andrew Wilson and Gareth McWilliam. Although there was lots to look at it didn’t feel busy or cramped, there was no need to fill every square inch of space with plants (or structures, or funiture or other stuff…).

Eschscholzia Californica Ivory Castle

Chelsea was as crowded as ever, if not more so. It’s not helped by the fact that some designers make it difficult to get a good view of their gardens, with everyone scrunched up into a few linear metres. Even Monty Don has said some of the gardens can only be viewed, and understood, from inside the garden. Some designers, in my opinion, are repeat offenders when it comes to not making their gardens fully viewable to the paying visitor. Come on RHS, please sort this out.

Yes, it’s still a good day out and just about worth the money, but it is becoming an endurance event.

Sarah Price’s Nurture Group garden